Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Johann Heinrich Fuseli
Liegende Nackte und Klavierspielerin

ID: 70900

Johann Heinrich Fuseli Liegende Nackte und Klavierspielerin
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Johann Heinrich Fuseli Liegende Nackte und Klavierspielerin


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Johann Heinrich Fuseli

1741-1825 Romanticism Swiss   Related Paintings of Johann Heinrich Fuseli :. | Dante and Virgil on the Ice of Kocythos | Sleep and Death carrying away Sarpedon of Lycia | The Awakening of the Fairy Queen Titania | Die Einsamkeit bei Tagesanbruch | Theodore Meets in the Wood the Spectre of His Ancestor Guido Cavalcanti |
Related Artists:
Filip Andreevich Malyavin
Russian, 1869-1940
Hicks, Thomas
American Painter, 1823-1890 Cousin of Edward Hicks. After being apprenticed (c. 1835-9) in the sign-painting shop of his cousin, he studied at the Pennsylvania Academy of the Fine Arts in Philadelphia (1839-40) and at the National Academy of Design in New York (1840-44). He then sketched and painted in England, Italy and France before becoming a student of Thomas Couture in Paris (1848-9). On his return to the USA in 1849, he established a studio in New York and quickly became a popular portrait painter, although his portrayals only rarely have enough psychological depth to make them of more than documentary interest. Hamilton Fish (1852; New York, City Hall) is among his stronger works. Hicks also painted genre subjects, such as Musicale: Barber Shop, Trenton Falls (1866; Raleigh, NC Mus. A.), and landscapes, the latter chiefly near Thornwood, his summer residence at Trenton Falls, NY.
WILLAERTS, Adam
Dutch painter (b. 1577, Antwerpen, d. 1664, Utrecht) During his early years in Antwerp he was impressed with the colourful paintings of the Fleming Jan Breughel the elder, but the subject and style of his earliest known picture, Dutch East Indiamen off the West African Coast (1608; Amsterdam, Hist. Mus.), presumably painted after the artist's arrival in Holland, shows the influence of the Dutch marine painter Hendrick Cornelisz. Vroom. In this painting Willaerts adopted Vroom's austere compositional scheme of an uninterrupted horizontal expanse of water with no framing devices,






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